5 Filmmaking Tools Under $100 That Look Expensive On Screen

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You don’t need an ARRI Alexa or a $5,000 lens to make something cinematic. In 2025, the gap between “pro” and “consumer” gear has vanished—if you know what to buy.

Most “cheap” footage doesn’t look bad because of the camera; it looks bad because of poor lighting and lack of control. Here are 5 pieces of budget filmmaking gear under $100 that will instantly upgrade your production value from “amateur” to “indie pro.”

1. The RGB Pocket Light (Aputure MC / Godox M1)

A small, square LED panel light casting a blue light onto a textured wall in a dark room.
A controllable splash of color in the background is a simple, cheap way to add cinematic depth to your shots.

Credit: AI Generated Illustration by plotwit.

Approx. Price: $80 – $90

Stop buying cheap ring lights. The secret to the “YouTuber” or “Netflix” look is often a small, controllable splash of color in the background.

  • Why it looks cinematic: These lights have full RGB (color) control and are magnetic. You can stick one to a fridge, hide it behind a bookshelf for a “practical” glow, or use it as a rim light to separate your actor from a dark background.
  • Pro Tip: Use the “Fire” or “TV” effects built into these lights to simulate a dynamic environment without needing actual flames or a television on set.

2. A 5-in-1 Reflector

A film crew member on an outdoor set holds a large white reflector to diffuse sunlight onto a smiling actor's face.
The reflector’s diffusion layer turns harsh midday sun into soft, flattering light, preventing ugly shadows under an actor’s eyes. Credit: AI Generated Illustration by plotwit.

Approx. Price: $20 – $30

This is arguably more important than a new camera. If you are shooting outdoors, the sun is your enemy. It creates harsh, ugly shadows under your actor’s eyes (the “raccoon” look).

  • Why it looks cinematic: The “diffusion” layer (the translucent white part) turns harsh noon sunlight into soft, beautiful window light. The “silver” side bounces light back into the shadows, giving your footage that glossy, commercial pop.
  • Pro Tip: Use the “negative fill” (black side) to block light. This creates moodier shadows on one side of the face, adding instant drama.

3. Variable ND Filter

A close-up photograph of a hand holding a circular variable ND filter in front of a DSLR camera lens, showing a properly exposed landscape through the filter and an overexposed one outside it.
An ND filter acts like sunglasses for your camera, allowing you to maintain a cinematic shutter speed and blurred background even in bright daylight. Credit: AI Generated Illustration by plotwit.

Approx. Price: $50 – $80 (e.g., K&F Concept, Tiffen)

Ever wonder why your outdoor footage looks jittery or “video-ish”? It’s likely because your shutter speed is too high. To get cinematic motion blur, your shutter speed needs to be double your frame rate (1/50th sec for 24fps). But on a bright day, that makes your image completely white/overexposed.

  • Why it looks cinematic: An ND filter acts like sunglasses for your lens. It cuts the light entering the camera, allowing you to keep that wide-open aperture (blurred background) and slow shutter speed even in direct sunlight.

4. Friction Arm (Magic Arm) + Super Clamp

A black friction arm with a super clamp is attached to a camera cage, holding an external video monitor with a live feed of a film set.
A “Magic Arm” and clamp combo gives you the flexibility to mount lights, monitors, or props in tight spaces where stands won’t fit. Credit: AI Generated Illustration by plotwit.

Approx. Price: $25 – $40

Rigging is what separates the pros from the hobbyists. You often need a light exactly where a light stand can’t fit.

  • Why it looks cinematic: This combo lets you clamp a light to a doorframe, mount a monitor to your camera cage, or hold a prop in mid-air. It gives you the flexibility of a big crew setup without the extra hands.

5. A Professional Slate (Clapperboard)

Hand holding a film slate (clapperboard) open on a video production set.
Syncing audio manually is a nightmare; a $15 slate makes it instant. Credit: AI Generated Illustration by plotwit.

Approx. Price: $15 – $20

It’s not just a prop for Instagram photos. If you are recording audio separately (which you should be), syncing it manually is a nightmare.

  • Why it looks cinematic: It doesn’t affect the image, but it affects the edit. A sharp “clap” saves you hours of post-production time. Plus, writing your scene/take numbers keeps your files organized. Nothing screams “amateur” like an editor losing track of which file is the “good take.”
plotwit team
plotwit team
The plotwit team is a collective of passionate storytellers and cinematic enthusiasts, dedicated to unraveling the narrative intricacies of your favorite films, series, and plays. We're here to share fresh perspectives and spark engaging discussions.

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